I am recently in possession of a kitchen so large it needs an island. I am in awe of this fact, and every morning I come downstairs and get rather doe-eyed looking at it because effectively, this kitchen is my new office. Oh, the things I can cook in this space, the gadgets I can amass in such obscene amounts of storage, the natural light abundantly available for food photography…
Since we moved house, I have found myself thinking generally about kitchens and what they represent in one’s life. I realised that every single kitchen of every single place that I have lived is indelibly linked with me, and each of these has had a life and personality of its own. There is a marvellous article MFK Fisher wrote for The New Yorker in 1966 about two kitchens she lived in during the 1950s in Provence, and in a preface to this article (in one of the many compilations of her writings), she says that kitchens are a person’s “lodestar”. Fisher felt that more often than not, upon first interaction, we are unable to recognise the importance of the lodestar on our lives, but over time its purpose becomes more obvious and for her, as it has been for me, her kitchens were vital in the shaping of her life as a writer and as a person.
One of the first things my family commented on when they came to visit me here in London 12 years ago was the size of the kitchen in the first flat I rented. No bigger than 1.5m wide walk-in closet, it was clearly designed as an afterthought in a flat where I paid the princely sum of £400 a month for a single bedroom in a shared Ground Floor Flat with two other flatmates. At the time, cooking and food were a love but not a passion, and really how could such passion evolve in a kitchen like that – dark, cramped and with virtually no counter space. And yet it was a flatmate who was obsessed with food that ignited a spark in me. There were often times I would come home and she and her boyfriend would be making Thai green curry from scratch, the house smelling like feet from all the fermented pastes and sauces. Other days she would cook some obscure recipe with odd-looking vegetables from Brixton Market, and in doing so opened my eyes to the diverse foods available in London. Because of her, for the first time I began to actively seek out new flavours.
A year on, I lived in a shared 4-bedroom house in West Dulwich where the kitchen was enormous but lacked any sense of homeliness – my flatmates and I ate communal meals there, but the familial warmth was not always there. I next lived in a flat with an open-plan kitchen. It had loads of counter space and a decent sized refrigerator and freezer. Cooking began to inspire me and some wonderful meals were created there: mustard and thyme encrusted rack of lamb, a perfected version of my grandmother’s spaghetti Bolognese, peach crème brulée. And yet what was lost there was my marriage, and that kitchen saw the demise of a relationship in a raw and brutal fashion; there is nowhere to hide from each other in open-plan living.
The house I lived in with friends post-separation had a large kitchen and I swooned at its five burner hob and double oven. The best Thanksgiving turkey I ever made was done in that kitchen – so juicy it was like it had been rotisseried, the legs willingly falling away from the carcass. We had so many parties and dinners there, and it is the kitchen where I fell in love with my now husband, and I celebrated turning 30. It was there I convinced a picky friend to try salsa verde with brisket for the first time and where I made Beef Wellington for my visiting parents. I loved that kitchen for what it represented to me at the time: newfound freedom and starting over.
My last kitchen, however, will have my heart forever. My husband and mine’s first place together, the kitchen was smaller than the first dank little one in Brixton, though perfectly laid out. It had almost too many electrical outlets and the cupboards were installed in considerate heights and locations. It was one step to the sink and one step back to the oven. Though storage was at a premium, I managed to find a place for everything. It is in that kitchen that I took the plunge into the world of food writing and cookery. There I achieved perfect pâte brisée and made copious quiches and tarts. I taught myself how to make choux pastry and crème anglaise, in a moderately decent stab at chocolate éclairs. I fought yearly battles over my Thanksgiving and Christmas turkeys with my overly ambitious oven, finally winning in the last attempt much to my joy. It is the kitchen that I cooked and ate my way through my pregnancy and where in recent months, I cooked fruit and vegetables for my daughter to mush into the kitchen table and throw on the floor. Really, I feel like my life kick-started itself in that kitchen and I will always be attached to it.
And so now I sit in my new kitchen, looking at its expansive surfaces and empty shelves and think of the possibilities in front of me. Already I have made Judith Rodgers’ roast chicken here. I’ve baked banana muffins and cooked potato rösti for my daughter. This latest of muses seems to be hinting that great things are afoot and whether that means I will finally master puff pastry or something else, either way this kitchen has already began to create memories and in its own way, as have all the others, weave itself into my story. But for now, back to work…